Monday, May 16, 2011

The climbing life

Climbing life is a choice - not an easy choice, but a clear choice it is. Some might call it an irresponsible life, a selfish life, a wasted life. All of that might be true. But it is also a life, and as life goes, it has its own ups and downs, its evolution and learning, maturing, illnesses, fears, depressions, sorrows, and joys. You talk about it, you do it, you plan it, you regret it, you assume it. Like any life, better or worse - I am none to judge. I think a life dedicated to something is already a more interesting life than just passing the hours, working, partying, sleeping, eating, and defecating.

I have tried to live my life setting goals, striving for something, at least giving myself the illusion of moving in a direction. Although less clear in my professional life, it has always been like that with my climbing. Longer routes, harder grades, more engagement, more exposure. When I first started climbing, leading what seemed to me then the "free" climbing life, passing months in Yosemite, in Squamish, going on expeditions to big mountains, appeared like a good goal, like something very hard but achievable. When looking at photos of treks in Nepas, when listening to stories every good old mountaineer is so good at telling the youngsters, I not only listened - i believed, i ruminated. It took me some years, some effort, a lot of convincing and family compromises, but I took the step towards my dream, I spent my time in Squamish, in Yosemite, in Cordiliera Blanca. I looked death into the eyes. Those eyes were not scary, they were cold and indifferent. That place was uncomfortable, humid, and inhumanly sad.  There was nothing beyond, it just all ended, even without a scream.  I did not like the image i saw in that mirror. I did not want to be that person - I was not fit enough, i was not strong enough, i was not ready to give it all up. I wanted down, I wanted to live, I had so much more to see and to do, I had enough energy to step by step go up, set up the tent another time, rub the feet against each other, spend 2 hours warming up the hands, suck on the snow, cooperate, and go down. I could move forever, for hours, i was going to survive.

Since, my climbing life changed. It took me a long time to realize the impact, the weight of the experience, the pain of the encounter, the fear of this lonely encounter I did not want to make again soon. Pressured to stop climbing by family, I decided against it, i took it easy, i moved again on the rock, in the sun, in warm rock shoes over easy vertical terrain. I took up the lead rope, i decided i wanted to climb, point. I did not want to be a super-hero, i did not want to be that mountain woman that died young, i did not even care about long routes anymore, i could live without snow-covered bell-shaped peaks that helped one look god into the eye.  But not without a goal. I learned all i needed could be had in just 20 or 30 meters of a vertical playground. The same challenge, the same need for metal will, for grinding teeth, for faith, planning, and determination.

Setting goals is an interesting challenge and it uses up our consciousness to the fullest, the capacity of the brain to focus, to understand, and to coordinate the body for the purpose at hand. In climbing this is enhanced because you set goals about your own body, your mental power, you control (or not) your fear, and you build your strength, step by step. Only you can do it, only you might fail.

After a year and a half of hard training I am consuming the fruits, floating up the old projects, figuring out the moves on the new ones. Climbing is a tough maiden - she requires months of dedication, years of prayer and offerings, and decades of practice. She gives little in return: a vague smile here, a sparkle of an eye there. She spirits away the imprudent soul, the inattentive by-stander; the fleeting relationships, the weak do not withstand her continuous test. Always mysterious, always on the verge of escaping, of letting go your confidence, of betraying your faith.

But then there is the whole process of learning - and i think this is something that surprised me and made me so addicted to sport climbing. Starting a project with hardly being able to move bolt to bolt, looking at the life-line, the rope, and wondering how ever will i be able to lead this - to not only doing all the moves free, but to also getting to the top unaided, floating into the sky unstopped by gravity, by the heavy body, by the obtuse mind. And then, with time, with study, with careful examination, with a lot of self-persuasion, some daring and confidence, moving up, progressing, from doggying the route to starting to make progress, to climbing with a couple of falls, to redpointing.

The process is always the same, the routes are different. Moves change, names differ, weather becomes capricious, belayers come and go. But the rock stays - the pleasure of moving up, of not fearing the draws, of weightlessly moving up and away, the total concentration of being here and now, of living the present moment. Of having invested time, committed oneself to this, and the body responding, doing incredible things one thought impossible, one believed made for gods, not mortals. The magic continues, the magic persists. Maybe it is a stupid magic, a surreal magic that will evaporate one day with the mist of Montserrat, that will leave me be, leave me empty and exhausted, unfulfilled and remorseful, that - one day, staring death into the eyes again.  Or maybe I will continue enjoying every day, every moment of the movement, staying young in spirit if not body, motivated as ever, the head above water.


People come, people go, they hurt you, they are unreliable, they are selfish, they are boring, they are cowards and liars. The rock stays. People come, people go, they surprise you, they teach you, they inspire you. The rock does not change, does not speak, but it does not betray you either.  It shows you who you are immediately, it makes you tell the truth quickly and honestly, sticks your nose into the mud of your reality, but also makes your day happy and worthwhile.  Let the people go, let them choose other lives, let them give up climbing, cheat on the mistress or the wife, leave the goddess in tears, let them give up their dreams and ambitions. Let them believe in prophets, duties, and other mirages. Me - I will go for a climb, I will go search for the mirror to look myself again into the eyes and see my worth, see my courage, see my fear, keeping balance on the edge of the void.

Friday, May 06, 2011

For Maluta

 We all wish you a lot of courage, Maluta...


Have no fear
For when I'm alone
I'll be better off than I was before

I've got this light
I'll be around to grow
Who I was before
I cannot recall

Long nights allow me to feel...
I'm falling...I am falling
The lights go out
Let me feel
I'm falling
I am falling safely to the ground
Ah...

I'll take this soul that's inside me now
Like a brand new friend
I'll forever know

I've got this light
And the will to show
I will always be better than before

Long nights allow me to feel...
I'm falling...I am falling
The lights go out
Let me feel
I'm falling
I am falling safely to the ground

Friday, April 22, 2011

Another new guidebook


After the fabulously picturesque Lleida Climbs, the new Siurana, San Benet, and Rodellar guidebooks last year, 2011 seems to start as another promising year for Catalunya guidebooks - this time it is Joan Miquel Dalmau, the owner of Balco de la Luna shop in my home town of Monistrol de Montserrat, that has finished this superb 450-page guide, complete with photos and a very good map of the Agulles.  Even if you are used to navigating this complicated terrain, the guidebook is a gem to add to one's collection.  Moreover, it also includes the latest updated version of the sport climbing at Vermell de Xincarro and Desdentegada - so far no errors noticed during a quick inspection - Vianant remains at 7c+, Busca Brega at 7b+, Ultravox at 7c, Canela and Vox Populi lack their names, but proudly stand at 7b.  The Vermell part also includes (all?) the latest new routes opened by Piju n co' this winter-spring, such as Kurt Albert.  To be enjoyed and climbed without moderation!

It is also rumored that the latest Luichi guidebook, the new version of Cavallers happiness, is to be found in the shops very soon....!!! Let's see if the projects and routes climbed will keep their grades intact there - now that Smith Rock is downgraded to 7c+ in Lleida guidebook, I need some comforting or simply more training, protein, and campus-pills...

Thursday, April 21, 2011

Cavallers my love

 Opening the season, cold and wet





Philip  and myself on The project...
Jaume the photographer getting fit

Sunday, April 17, 2011

Miro, painter poet

"For me, a picture should be like sparks. It must dazzle like the beauty of a woman or a poem. It must have radiance; it must be like those stones which Pyrenean shepherds use to light their pipes." Miró

Moon Bird at Smithsonian Hirshhorn Museum, Washington DC

Visiting another exhibition on Miró, I am always enchanted to find his works more surprising, less simple than it might seem at the first sight, always more inspiring, but also more fleeting.  Miró, with his farmer or factory-worker face, looks almost as surreal as Magritte on the old black-and-white pictures.  Is he making fun of us, his audience, painting and talking about these images that find meaning as he paints them, that find their names when he is done throwing paint on the canvass, concentrated, hard-working, all day long?  Or does he know more than us, does he have a different sight, does he talk with Plato's shadows of the ideal?  It is always the woman and the bird that come back in his paintings - not ants like in Dali's nightmares, but constant inspirations for Miro's more poetic and mystic work.  Even during the dark years of WWII he paints women - in black this time. 

One of the discoveries for me during this exhibition in Brussels (where ING is copying Fundacion Caixa in Barcelona with a dedicated space for art in the city center) was a book Miro illustrated for Paul Eluard's poetry.  The illustrations reminded me of Shagal's more spiritual work for the Bible, where here Miro remained Miro - light, easy, un-understandable, full of himself - and full of meaning for the ones willing to accept him as he comes.  Sure, as he and Eluard come together.


Une prison découronnée
En plein ciel
Une fenêtre enflammée
Où la foudre montre ses seins
Une nuit toute verte
Nul ne sourit dans cette solitude
Ici le feu dort tout debout
À travers moi.


Mais ce sinistre est inutile
Je sais sourire
Tête absurbe
Dont la mort ne veut pas dessécher les désirs
Tête absolument libre
Qui gardera toujours et son regard et son sourire.


Si je vis aujourd’hui
Si je ne suis pas seul
Si quelqu’un vient à la fenêtre
Et si je suis cette fenêtre
Si quelqu’un vient
Ces yeux nouveaux ne me voient pas
Ne savent pas ce que je pense
Refusent d’être mes complices


Et pour aimer séparent.
(P. Eluard)

The last impression from the exhibition - this other quote from the artist: "Pour moi, conquérir ma liberté, c'est conquérir la simplicité. À la limite, une ligne, une couleur suffisent à faire le tableau". This made me think more of my thesis - I would wish so much for it to be simple, for me to finally see the light and make it simple, conquer liberty through simplicity...

Wednesday, April 13, 2011

Inspiration

I don't usually post videos, but this one left me drooling, over and over again.  Death to gravity, everything is possible.  Maybe one day, in the next 10 years?  Or maybe not, I will go dream my dream anyway!  Quizas, live and see...


KALÉA BORROKA 8B+ SIURANA Alizée Dufraisse from phil on Vimeo.

Tuesday, April 12, 2011

Strange times

Strange times between projects, looking for motivation, for color, finding reasons to suffer more, working, sleeping, not much more going on - so much more going on.  Moving on, from the South face to the North face, or going in circles.  Pushing people away, trying to keep them in, life goes on, in its own inexplicable way.  Dreams of granite keep me awake at night, nightmares put me to sleep.  Let the strange times roll...



Saturday, April 02, 2011

Melancolia

Hermano, tu que tienes la luz, dime la mía.
Soy como un ciego. Voy sin rumbo y ando a tientas.
Voy bajo tempestades y tormentas,
ciego de ensueño y loco de armonía.
Ese es mi mal. Soñar. La poesía
es la camisa férrea de mil puntas cruentas
que llevo sobre el alma. Las espinas sangrientas
dejan caer las gotas de mi melancolía.
Y así voy, ciego y loco, por este mundo amargo;
a veces me parece que el camino es muy largo,
y a veces que es muy corto...
Y en este titubeo de aliento y agonía,
cargo lleno de penas lo que apenas soporto.
¿ No oyes caer las gotas de mi melancolía ?

Ruben Dario, a leer escuchando Game Over, by Marcel Cranc

Tuesday, March 29, 2011

...Ben Petat!!!

"Encadenar una vía no es encadenar una vía...
Es una promesa hecha a ti misma,
es desayunar ilusión y cenar esperanza,
es el recuerdo de tu futuro..." - Eva Lopez



Thanks to all who have participated in my endless walks up and down to Senglar during the last three months, belayed, cheered, found a word of encouragement, or a friendly tap on the shoulder that kept me going.  Oriol, Mark, Ville, Philip, Bernat, Ernest, Pau, Marieta, JuanAn, Carlos, Juanjo, Ruget, Esther - to all of you and others I forget - thank you.

 Picture by Ville

Sunday, March 27, 2011

Santa Anna - els Exploradors

 One of the main walls in Sta Anna, sector Exploradors on the far right.

After Santa Linya - another Santa, Santa Anna this time.  A new sector is always very interesting to visit, especially in good company. Although already rather hot, Santa Anna proved to be a good choice - a couple of warm-ups on the left, (especially Classic Climbing, 6b+ and el Rei del tonga, 6c+), very good 7as (especially Laia, Scotty, and a bit harder Trinity), and incredible 7c+/8a Esfinx, with a crux move of one-finger undercling to big jug.  7bs were strange though - both Livingstone and Fills de Buda resisted the efforts of many, and made some unhappy on our team.  Updated topo here and in Lleida guidebook.

Ville and Victor discussing the 7c, Magnifica in welcome shade...

Overall, a great week-end where all four of us redpointed the first pitch of Esfinx (flash for Marc, first 7c for Ville), and Ville and Victor finished the w-end also sending the Magnifica, another 7c that looked pretty good through the camera lens...:

Ville sending his second 7c of the week-end and of his life, Magnifica, way to go!!

Mark enjoying the evening sun on the same, Magnifica, 7c

Overall, a good relaxation for my body and mind before attacking again the project of this year, that has to be spelled in capital letters from now on, if ever to be done.  But whatever it takes - I am not giving up, i wish i were stronger - i wish i were different, but let's just keep at this one...

Tuesday, March 15, 2011

Santa Linya

A little strange, surreal w/end full of rain, caves, mud, flowers, and spring sun.  Despite torrential rains, we were able to find a safe harbor on Saturday inside the Santa Linya cave - an impressive formation reminding one of Grande Grota in Kalymnos or Surgencias sector in Rodellar. 

Mark belaying infatiguable Ville on his (9th?) try of the day

The climbing itself is very powerful, bouldery, and basically hard.  Not my style at all, and bearing all the training in mind, I kept happily to the camera and took pictures rather than trash myself on the routes.  This place is definitely for another generation, but worth at least one visit for curiosity's sake.

The incredible cave of Santa Linya 

Second day finally brought the sunshine back to the thirsty, and we enjoyed it fully at Futbolin, more likeable sector with humane routes, orange coloring, and much less steepness.  Mark impressed us all almost flashing Opium, 7c, and I followed by redpointing, feeling strong and weightless on the slab despite days of intense training. 

 Myself on crux of Opium, picture by Philip

Thanks to Albert Cortes for equipping the route we all enjoyed, and many more in the area :)

The boys having fun on nearby 7a

Friday, March 11, 2011

Let my people go surfing

"With all its sham, drudgery, and broken dreams, it is still a beautiful world." - Desiderata, by Max Ehermann

I have been preparing to teach a case on Patagonia company recently,  for once intersecting my professional and climbing life.  Yvon Chouinard has founded Patagonia in the 60ies, as a result of his experimentation with climbing equipment and blacksmithry.  From company history website: 

"Chouinard, after meeting John Salathé, a Swiss climber and Swedenborgian mystic who had once made hard-iron pitons out of Model A axles, decided to make his own reusable hardware. In 1957, he went to a junkyard and bought a used coal-fired forge, a 138-pound anvil, some tongs and hammers, and started teaching himself how to blacksmith. Chouinard made his first pitons from an old harvester blade and tried them out with T.M. Herbert on early ascents of the Lost Arrow Chimney and the North Face of Sentinel Rock in Yosemite. The word spread and soon friends had to have Chouinard's chrome-molybdenum steel pitons. Before he knew it he was in business. He could forge two of his in an hour, and sold them for $1.50 each.
...
By 1970, Chouinard Equipment had become the largest supplier of climbing hardware in the U.S. It had also become an environmental villain because its gear was damaging the rock. Climbing had become more popular, but remained concentrated on the same well-tried routes in areas like El Dorado Canyon, the Shawangunks, and Yosemite Valley. The same fragile cracks had to endure repeated hammering of pitons, during both placement and removal and the disfiguring was severe. After an ascent of the degraded Nose route on El Capitan, which had been pristine a few summers earlier, Chouinard and Frost decided to phase out of the piton business. This was to be the first big environmental step we would take over the years. It was a huge business risk – pitons were then still the mainstay of the business – but it had to be done.  "


"I've been a businessman for almost fifty years.  It's as difficult for me to say those words as it is for someone to admit being an alcoholic or a lawyer.  I've never respected the profession.  It's business that hast to take the majority of the blame for being the enemy of nature, for destroying native cultures, for taking from the ppor and giving to the rich, and for poisoning the Earth with the effluent from its factories.  Yet business can also produce food, cure diseases, control population, employ people, and generally enrich our lives.  And it can do those things and make a profit without losing its soul." Yvon on business...

What if business was also about ... letting the people go surfing?  Maybe productivity achieved would be lower, maybe more people would be able to find their passion in life - in surfing or otherwise.  Or maybe this is all a utopia, and Patagonia is happily screwing its customers by making them pay important premiums on Patagonia products to cover Chouinard and his team's "surfing" times and environmental dreams...?


Sunday, March 06, 2011

Early spring

Early spring in Finland....

Early Spring 2011 in Finland from Anssi Laatikainen on Vimeo.
(thanks to Ville for sharing)

....


Early spring in Catalunya...

(no comment needed)

Philip working on Trenquem el Bloqueig, 8b

Myself on the unending project, Ben Petat 7c+/8a, picture by Ville

Saturday, March 05, 2011

Berbere in France, or rock’n’roll du bled

True or not, the rhetoric has it that North Africa is rising above the water lately, is there hope amidst of centuries of humiliation? As for me, I have been impressed by Hindi Zahra's music lately - reminding of Jewel, Lhasa, of Norah Jones, - but with a spark of her own.  Awesome, sensitive, simple.  I like...!!






Friday, February 25, 2011

Good feelings

 Redpointing Vox Populi, 7b, Vermell, photo by Martin

Montserrat in spring is amazing.  Maybe I am too emotional and naively romantic, but it is incredible - these last days I have been coming back often and each time enjoying it more, in detail, in bloom.  Seeing the tail of a goat this day, breathing in the Mediterranean smell of plants the other, touching the smooth rock and following the flight of a huge and hairy bumble bee the third.  It is my type of climbing, it is my type of place.  No, I don't feel like going to other places, why bother with crowded and over-trashed Margalef, popular and too-orange-for-its-own-good Siurana, or the tufa-enchanted Montgrony - when Montserrat has it all, 15 minutes drive away.  I do not want to escape anymore, I want to stay.  I have done my part of escaping the last twelve years of my life - and somehow the spirit has left me, the move is no more.  I do not need to go far to be free anymore.  I want to stay and come back, live into the habit, enjoy the feeling of touching the same rock again and again, of walking the same rocky road, uphill first, and then downhill.  Of seeing the seasons change, and trees wake up from a sleep in bloom, and olives getting fat and plumply in Catalan sun.

Walking towards Vermell, picture by Martin

Then there are the people - and climbing is so much about the people as it is about the nature.  Montserrat is a royal place, a wonderful island in the sea of our civilization, an igloo in the middle of polar circle.  But it still would be nothing without people.  Climbing is a fulfilling sport in this sense - it is so incredibly good to share it with outstanding surroundings, but especially with others that enjoy it, that are obsessed with it, whom you can stop in the middle of a walk up or downhill, and tell them "oh, look, how gorgeous", "how incredibly beautiful is the view", "what a scenery".  Or simply smile and receive a smile in return, filled with the atmosphere, with the fresh air, flowers more abundant with each visit.  The pink of almonds below, the blues of rosemary higher up, and other small beauties I don't even know how to name that pop out here and there, just when you think you've seen it all.  It is fulfilling, it is like a prayer to me - a day out, in the sun, feeling every cell of my body vibrate to the music, to the tune of the place.

Redpointing Vox Populi, 7b, Vermell, photo by Martin
And then there is my project - feeling my body adapt to the rock, take its shape, my fingers identifying with the crimps, my tendons becoming one with the holes, my fear ebbing away.  It is again and again such a surprise, such an incredible surprise to see oneself progress on a route that seemed unbelievably difficult just a couple of weeks, even days before.  Doing another move, flying off despite the instinct to hold on, listening to myself making little Sharma-cries, pushing on.  From having only 1 good try a day to having 2 good tries, from suffering like crazy and having 50% chance of getting the start right to figuring it out, to breathing through the moves.  From not being able to relax, to getting to the first rest in a respectable shape. To rest 2 minutes at the tufa, to rest another minute 4 moves above, to rest 1 minute before the move.  To doing 1 move more.  To doing 3 moves more.  Only 2 moves more to go - and I might be able to clip the next draw.  And then - the rock is my limit.  The route is the masterpiece.

And it is same old Senglar again, again and again.  I feel like home - like I have been climbing here forever and will climb more.  There to the left is Ernest and Carlos trying Trenquem el Bloqueig, Pedro joining the bottom of Viatgi, the top and traverse to the right of Discordia and the ultra-hard exit to the right of Viatgi (8a+?), there is to the right Manolo and JuanAn working on Sprint Final, there is Ester, Fredrik, myself trying Ben Petat,  and all the others, Bernat, Marieta, Oriol redpointing the route and showing me how it is done.  There is Martin on Vox, Ville trying out Rush, there is Philip flying up my project.  And there are those that came before, and that will come after.

A move before falling off Sincronisity, 7a at the Totxos, picture by Victor

And then there are other places in Montserrat, so many remaining, and calling to be explored.  Such names as Xulum, Spok, or Unicorni keep me dreaming just a little more, just a little further into the wild.  To see how much one can train one's body, how much one can train one's mind.  How much is possible - and what is the limit. This year I managed to climb my 6b project at Sant Benet - maybe one day I will do a harder route - but oh, how good the climbing is there.

Why travel? Maybe I have arrived...maybe I just travel light lately...


Monday, February 21, 2011

Books of the year - 2010

Given that my last post about the books of the year was pretty meager, i decided to update my reading list (note to self).  Thus, my favorite books from 2010 were:

- Steinbeck, "The log from the "Sea of Cortez" (1)
- Weick, "Social Psychology of Organizing" (2)
- Hofstadter, "Gödel, Escher, Bach: an Eternal Golden Braid" (3)
- Polanyi, "The great transformation"
- Kornberger "Brand society"

A very diverse bunch, but all very interesting indeed - from anthills to Mexican sierra, from English peasants to imagining organizations and brands as an interface between production and consumption.  One has to read them to give them justice - but some good quotations go like this:

"This is not mysticism, but identification; man, building this greatest and most personal of all tools, has in turn received a boat-shaped mind, and the boat, a man-shaped soul.  His spirit and the tendrils of his feeling are so deep in a boat that the identification is complete.  It is very easy to see why the Viking wished his body to sail away in an unmanned ship, for neither could exist without the other. (1, p. 14)"

"No one is ever free to do something he can’t think of. (2, p.193)"

"The resolution [of Epimenides paradox] involves abandoning the notion that a brain could ever provide a fully accurate representation for the notion of truth.  The novelty of this resolution lies in its suggestion that a total modeling of truth is impossible for quite physical reasons: namely, such a modeling would require physically incompatible events to occur in a brain. (3, p. 585)"

Sunday, February 06, 2011

Project times (in pictures)

Dancing up the rock, so light, so weightless, so incredibly good...


Those sweet and sour project times...


- still there, still falling off the move, but getting stronger. Above, one move before falling off... I have faith, it will come.  But for the moment - back to the training board.  Pictures by Marieta - thanks, boua, girl power :)!!!

Sunday, January 30, 2011

Project times

These strange times, between eying a line for the first time, figuring out you like it, figuring out it is challenging enough - just enough to keep your interest - to saying oh, it's sooo good, to coming back, trying the moves, again and again.  And the positive feelings of the first serious attempts - starting to believe in the possibility of a send.  Overcoming the fear, from doing the separate moves, to leading up.  From leading to clipping all draws instead of grabbing them, from clipping to doing a couple of draws at a time, up.  Forcing yourself - cold days, tired days, standing below with no energy left - and coming down full of excitement.  To serious tries, where you surprise yourself, you get over another move, and another move.  You set goals, and get there - maybe not today, but tomorrow.  Another miraculous foot appears, another climber sends the route.  You watch, you think, you analyze, you try to optimize.  When your brain says "I can't", but at the same time your will power pushes you on.  Project times.

Then the slope gets steeper - excitement is replaced by days of no progress, of cold, of "why am I here", "i can't", of grabbing the draw, of self-humiliation in your head, of fear.  Black humor days, watching people send, always feeling inferior, not having boulder power, lacking resistance, pumping up, the miraculous foot slipping just when you thought you were really going for it.  The days when you feel like quarreling with the whole world over, when nothing goes well, when even climbing gives up on you, when you wonder about caves and dark places, when justifying, rationalizing, and waiting simply do not make it worthwhile anymore.  The clutches close, you slumber, you go down.

Then sun comes out again, the circle turns.  They come, they go, they repeat themselves over.  The dark times.  The bright times.  Project times.



Wednesday, January 19, 2011

Oh, Margalef!

New year, new worries, but also more climbing.  To start it right, I have been campusing at the gym, or rather simulating, as well as pulling myself up on two fingers.  Otherwise, life is complicated, as usual, and as usual, climbing is there when there is not much else left.

Into thin air, below, redpointing Conxoirxa with the Gresca finish, 7b+ in Cabernet, one of the exceptional sectors at Margalef.  It bathed us in the sunshine the whole last w-end, offering incredible blue skies and summer temperatures.   These long routes take you on a journey into the air, into the rock-land, where only endurance and power gets things done.  Maybe this is a good enough preparation for the project?  Maybe not, but it is definitely an awesome way to spend a week-end after hard training.
Picture courtesy by Manu Velasquez

Tuesday, December 21, 2010

Year-end

This year will be remembered as the tipping point, consolidating my conversion from alpine to sport climbing.  From struggling to lead 6as the year before to onsighting 7as and redpointing 7cs.  From lame socializing at the climbing gym to serious training three days a week.  From not being able to pull myself off the ground with both hands to doing 3 decent pull-ups on jugs and 2 pull-ups with 3 fingers on slopers.  That's as much progress as my mind can fathom in a year - and i am still struggling with the consequences (tendonitis, triumphalism, and hubris at the rocks).  I have also worked a little bit on my head skills - although long way remains to decrease the gap between onsight and redpoint grade, or to increase the amount of accumulated flying miles.  The psychological aspect of climbing is the most fascinating and the hardest to challenge through direct action.  I have tried - and hopefully will keep trying, although I do not believe fear could - or should - ever go away.

Otherwise I'm afraid I have not progressed as much in other domains - .i remained stubborn, self-centered, closed as a marmot, and alone as ever.  Oh, I did get a Masters' degree, too, so that is another accomplishment I tend to forget.  I also started giving classes and improved my presentation skills to the point of feeling comfortable presenting my own work to the audience of serious professors in front of me.  Maybe climbing helps me in a way in this not that related field - i started to tell myself that if i can deal with the stress and panic of a hard climb, if i can assume the risk of flying and still give it my best, if i can try that hard - and survive - i can also master the critical eye of the other.  I can expose myself - maybe just a little bit - take the cloth off and share my world - invite people in, or at least move the curtain a little aback.  Having a blog is also my way of sharing.  Let's hope next year i will have more things to share, more motivation to improve, and more dreams to look up to and possibilities to imagine.  Or not.  The black hole is always there, ready to swallow the elephant, the giraffe, or any other prey walking with their head high and spirits low.  Hit me, may the new year begin.

And last but not least - my first try at editing a video, cameraworks by Pau, myself redpointing Viatgi Imaginari...Happy holidays and loads of inspiration to you all.


Imaginary Journey from Uasunflower on Vimeo.


(sorry for writing Spain in the title, the "error" was pointed to me after the editing had been closed...)

Thursday, December 09, 2010

Rest after the storm


After redpoint day and super-cold, at least for Catalunya's standards, weather, the rest of the climbing days were spent South - first under the rain in Siurana, trying out the hard moves on Crema, and checking out the new - and it has to be said awesome - guidebook of the area by David Brasco, and then in Margalef.


2010 will be remembered as the year of new guidebooks for sport-climbing in Catalunya.  The Siurana guidebook is not a photo album, as the Lleida climbs one, but still a very good and informative, not to say comprehensive, guide to more than 1200 routes in this incredible spot.  Not only mentioning the length of climbs, the number of draws, the orientation and interest of the area, it has very good (and time-consuming) drawings of all walls and good approach descriptions (tried out the one to Siuranella South - perfect).  Nevertheless, as usual, there are some problems with grades - several climbs have been downgraded (i.e. Dema les inocents, 7a+, Papagora, 7b+, Crema 7c+), maybe to keep up the mythology of the area and show how hard the + routes could be.  Anyway, it is not the place to rant again and again about the grading, kudoos for the guidebook, David - long in coming, but very good indeed.  Thanks!

Finally as for the climbing - with the returning warm temperatures we enjoyed 2 incredible days in one of the most scenic spots in Margalef - Cabernet.  The two pictures taken by Pau, with Ville's camera don't make it justice, but here goes again, myself finally redpointing Califato Coach, a 10-star 7b there.

Monday, December 06, 2010

Viatgi, imagining the end to another journey

(picture by kind Pau)

An old good song by DC Talk used to go like this: 

What if I stumble, what if I fall?
What if I lose my step and I make fools of us all?
Will the love continue when my walk becomes a crawl?
What if I stumble, and what if I fall?

I still don't know, and I'm as scared as always.  We fall, we get up, we reach the chain, and life continues.  Getting to the chain is good though, oh so good!

Friday, December 03, 2010

Polyphony and disappearing cultures



This composition by young Corse singers (more here) made me think of Pikardijska Tertsia, a group that used to be popular during my time in Ukraine.  Similarly disappearing culture and language.  It made me think of Lviv, our old yellow-red trams, meetings at Mitskevich monument, old bookshops, coffee houses, dark churches, and basement beer joints.  Looking for a video I was not able to find anything too decent - the best one is this one from a Polish TV, with young Tertsia singing their best song...Memories, I am almost ready to read up on Proust...

Monday, November 29, 2010

Aporia or the Imaginary Journey

I have traveled wide and long, over many years no place felt like home.  Now, since a couple of years, I have stopped.  In this place, Catalunya, that I now call home.  Other climbers make me feel a little more justified in my choice - here is Sharma talking about his choice of home, friends, and family.  Imaginary or not, the journey goes on, we choose where we want to be, and we go.  Or we don't.  For me one of the benefits of this new age of freedom of movement is the possibility of choosing - I want to live near the rocks, so i do.  I want to define my identity through climbing, so i do.  Have i finally reached port?  I don't know, but sedentary life is not necessarily an unimaginative one. The journey can be real or virtual, dreamed through or real to the core.

Identity is so fluid, so good - and so wrong.  It is not there, or it is.  You would die for it, and than it is all empty.  A journey is an escape, escape from self that never gets it right, always looking for the zen - the stone master who wanted to be the sun, the wind, the mountain - and then the stone master all over again.  More years means just more circles - there is no more first time, only a deja-vu, an again and another retaliation of the same tune. Purification, authenticity - or all lies, all pretending, all artificial intelligence, artificial flavor.  Only color, only smell, only concentration, only way is up.  Another route, another project, another repetition of same old routine.  Even climbing succumbs to it, gets dragged into the mud - the cold, the body, the head, all the same, all over again.  Imaginary journey, a different setting - or all the same, all over again.  Making sense of it, finding meaning, giving meaning.  Lines, rock, relationships, conversations - needs and necessities, nothing real, all imagined, all of it in the head.  Images - the boy with lama, the dying girl, all of it sensemaking, making sense, giving meaning to the world, in search of an innocence, the forgotten island of the past, the never-ending journey to the future.  Why would it matter?  There are no more rats, only ravens - crowing on the tombstones, tombstones of the dreams, the ones we've never been free to dream.



Viatgi Imaginari is a 40-meter feet of imagination indeed, orange, grey, bouldery, slopery, holdy.  It has a roof, it has a pillar, it has a slab.  It has a run-out, it has a hidden save-me bolt.  It even has three key heel hooks to get the pressure down and give your arms back the needed strength.  A route to imagine, a route to climb. 

Not exactly related, but an example of another parallel imaginary journey, Oksana started to make Lyalkas, or dolls in Ukrainin, when she broke her leg and did not know what to do with herself for several months.  Now her dolls are a success and a pleasure to look at.  There is always  more to be imagined, the journey that goes on...


Monday, November 15, 2010

Bruixes


A discovery for me - the Bruixes crag, well-known by the hard-climbing Catalan girls, inspired me this w-end despite the cold, tiredness from training, and aching ear n' throat.  After redpointing Jam Session on the second go and onsighting Pasta sin Agua following good advice and quickdraws in the right places by Pau and Lluis, I spent the rest of the w/end trying out Occident, a good, well-overhanging line for me - polished jug haul with the tufa ending for the strong.  I think we'll be back...

Moreover, now with the new Lleida Climbs guidebook the menu of North-bound climbs from Barcelona has been increased substantially.  Good work, Pete, Dani, & Albert, and nice picture album.  Although some errors in the guidebook have already popped up - i.e. Cobra Canaries on African Wall in Cavallers is rated 7b+ instead of 8a, a stretch even for the strong guys!

Wednesday, November 10, 2010

And More

Some tell me I should stop being obsessed, that climbing that much slab is not good for me. Some tell me to go pull on jugs. But then, how can one give up coming back? Montserrat, the one and only...

Picture by Luichy, myself climbing a 7a called Santaquemoia at La Miranda de la Vinya Nova...

Sunday, November 07, 2010

Montserrat, always

Montserrat has always been a source of inspiration for me and my projects.  Starting with Rush, BuscaBrega, and Vianant, I keep coming back there for more challenge and flow, for more moves, intricate sequences, and incredible scenery.  Zen of the place, its flowers, its bugs, its smells and sounds absorb and replenish, inspire and keep surprised.  Now, as i see conglomerate from my window, i am closer than ever to the mountain.  I do not need snow and high peaks anymore, it is enough to play on a short wall, 30 meters high, with some gear, but mainly my technique and my mental qualities as a resource.  It takes time, patience, and always more self-knowledge.

Choosing one's battles carefully definitely helps the process to stay fun and sane. Maybe my last choice was not exactly following well the above guidelines - Mireia, a long route in Can Jorba's Soga de Satan sector, proved to be a much harder undertaking than initially estimated.  Pau was the first to go up the incredible wall, getting the rope on Mireia through Oriol, its 7c+ neighbor on the right.  We tried the moves together, and it did not all seem too hard, a 7c to the first anchor, and than a hard but rather short boulder problem that took one after another 5 meters of climbing to the second anchor.  A hard 8a, others warned me.

After several days spent figuring out all the moves, we started trying the route seriously - and realized we could not even lead it to the first 7c anchor.  Despite the route being totally my style, thin traverse from the final rest to clip the anchor kept throwing off any attempts at the redpoint.  All possible mistakes made me fall more than five times at the last move - badly changed hands, bad friction, wrong shoes, wrong foot, no confidence - all possible excuses, to the point that there were no more.  Oh, yes, there was one more - last day I came to the route with my finn friend Ville, and while toproping the route he managed to kick off a key stone that made the first long reach to the right a bit more manageable after the big ledge rest.  This cost me another try - but i was ready, luck had its place no more.  The route went, after many tries.  I underestimated Montserrat again, and managed only to climb to the first anchor.  Maybe i will come back, when stronger, to finish the route to the second anchor, or try its nice-looking sister, Martina.


(figuring moves on Rush, photo by Tranki)

For now next destination is Agulla de Senglar, with longer approach, but a wall as good as any in this orange conglomerate kingdom.  Another line - this time a long stamina-fest - Viatgi Imaginari, awaits new effort, new tricks, hopefully less long slings, and more fly miles.  Montserrat, always.


(toproping Viatgi Imaginari, photo by Nora)

Russia and its fate

I was reading today Khodorkovski's pronouncement and wondering why Russia, or rather many of its people, have had this unfortunate fate of misery and demise in their own homeland.  Whereas Americans, a little naively for sure, are usually seen in the bright light of the American dream and positive, if simple, emotions, Russia has earned the stereotype of suffering and never-ending maze associated with its intellectuals.  Or, maybe, Khodorkovski is just aiming at the long run, playing his best response in the game, and all this should be dismissed as more rhetoric of another ambitious 'future Mr. President'?   Yes, institutions in the country do not help, as Khodorkovski's case so well illustrates.  However, there are also others, such as Perelman, who have refused their talent and participation in the world altogether.  With each mention of Perelman, Dostoyevski comes to my mind.  He somehow managed to epitomize in his work the country and the Russian soul, or did he?  Yes, it would be scary and a little hopeless if so.

Ahthough Khodorkovski's story is the one in the limelight today, many other entrepreneurs and talented people have given up hope, taken up their belongings, and moved out.  Or maybe this is my unconscious self trying to justify why me too, i have left my own country and not been willing to recognize it for some time now as part of my identity.  Shattered hopes, my parents' absence of a vision of me in that country, all this contributed certainly to the exhaudus - of me in particular, and many, millions of others, in general.  The consequences cannot be evaluated, usual in social sciences, - as we will never know what a world with a successful Soviet Union would have looked like.  But it certainly would have been very different.

Wednesday, November 03, 2010

Siurana Invasion


So many events in the last month, I lacked any inspiration to write even a short note.  To start well, two full backpacks of climbing gear got stolen from my car, my camera included.  This means less pictures, but not less climbing.  The afternoon of the event we were already pulling up the Mireia project.  Mireia project was another bad idea of mine - after abandoning ambitions of climbing the 8a extension, i realized i could not even do the 7c bottom part.  Despite several days and patient belays from Pau, to Ville, to Luichi, and the slabby crux, the story remains to be continued.

Next, i changed living arrangements, now to live closer to the Mother Mountain, with all the stress implied in the moving, buying new stuff, and realizing just how much crap i actually have.  Let all possessions die!  The whole idea of things is so oh so overrated.  With internet access, a bottle of whine and a good cheese, i could care less.

And next, the short and well-deserved vacation to Siurana.  Despite it being so close to Barcelona, i had little feeling for this world-renown school.  A winter's day hike after wet climbing at Can Marges with Bienve led me to Campi qui Pugui sector some two years ago.  I remembered a prominent arete there and an impressive wall, climbing which i could not fathom at the time.  I've walked below la Rambla and suffered bouldery routes of la Olla.  I spent a day putting draws on Mandragora and failing on Remena Nena.  Much more remains in store though.  Although the definite guide by David Brasco is still lost somewhere in the print process, Siurana is full of good and bad surprises.


The first good surprise was the quality of the first project we tried, la Papagora.  A major line running in the center of the pic above, somehow overlooked by the English-speaking Costa Brava guidebook, it has been spared the Mandragora fate of total polish.  The crux is up high, and the route is gorgeous.  It was well-suited to my style, and after a quick toprope, I almost got to the anchor on the 2nd try, i mean almost.  Yes, i fell at the last possible move, after 35 meters of intense effort.  But what a route!

Coming back the next day, the force was with me this time, and the send was over in the cool morning temperatures.  My favorite line in Siurana so far, and not hard for the original 7c grade (especially if compared to its sisters, such as Cleptomania).  The less pleasant surprises continued afterwards, mainly due to the poor bolting of the routes - at least in my opinion.  Falling at the anchor was not over for this trip - first, i could not finish the onsight of Rauxa, doing it on the 2nd try, next i lowered off Gamba Gamba, and finally fell twice at the anchor of Muerte de un Sponsor, another major line.  My head is definitely not ready to take it all as it comes in Siurana (and probably many other places).  Oh well, everything just costs a big effort, that's the way.  Below myself, thinking about flying, taping up, and coming back to old gear, Ikea bags, and Trango Squid power...


And the evil olive trash wonderer, never to stop, with feet that start acking, with hands that stop feeling, with heart that keeps beating, and dreams that keep dreaming.

Autumn in Catalunya


Days go by, years go by, we grow up, learn, and forget.  Meanwhile, seasons change, but remain the same, bringing us each time the expected colors, the beautiful skies, sun to look up to, and to smile at.

********
Красива осінь вишиває клени
Червоним, жовтим, срібним, золотим.
А листя просить: – Виший нас зеленим!
Ми ще побудем, ще не облетим.
А листя просить: – Дай нам тої втіхи!
Сади прекрасні, роси – як вино.
Ворони п'ють надкльовані горіхи.
А що їм, чорним? Чорним все одно.

Ліна КОСТЕНКО